Once upon a fairytale garden

So it is a new year, and for many people 2012 is looking pretty bleak indeed. That is why I am re-posting this old post I did last year. This story can help remind us that even from the ashes of devastation and despair, life and prosperity will once again flourish.

Wishing everyone a very happy new year, and I hope 2012 brings you all good health, wealth, and happiness.  

Once upon a time in the hills of the great dividing range of Victoria on the edge of a town called Marysville there was a magical garden. In this magical garden mermaids rested on the sun baked rocks on the edge of cool stream’s while fairy’s and pixies danced in-between the trees as wise old men sat at the base of wise old trees.

Unfortunately for Bruno Torfs and the rest of us this is where the fairy tail ended as on the 7th of February 2009 a bushfire raged through the township, decimating everything in its path without mercy and sadly claimed the lives of many people. Bruno was extremely lucky to survive and the rest of the family are safe and well.

Bruno's home and art gallery were unfortunately completely destroyed in the blaze. The main attraction, the sculpture garden, was also damaged, but around sixty percent of the sculptures have survived.

The pictures of the aftermath show a very eerie looking place. The ghostly looking remains of sculptures look almost shell-shocked and traumatised, as from a seen from a town devastated by war.

Bruno has chosen to stay in Marysville to rebuild his home and restore the gardens. His passion to share his love of art and the story of life with the world has not been damaged by the fires, in fact you would almost say it has been forged anew by the flames that nearly took it all away.

But as with all good fairytales, this story two has a happy ending.
Bruno has been working tirelessly to restore the sculptures and the gardens to their former glory and after months of hard work he declared the gardens reopen on the 29th of November 2009.

Bruno's words: "The bushfires deeply touched us all in many ways. It allowed me to see that people had a heart for each other, that when things really got dark, the best in us comes out. We have lost a lot, but life also provides us opportunities to gain a new vision, lots of new friends and a blank canvas to play. In the meantime, nature is already regenerating itself. The green is slowly returning and the rivers are flowing, finding new ways".

All photos are from Bruno Torfs website

This year for National Tree Week, why not let the trees do some art!!!

So it's National Tree Week again here in Ireland! Last year in my post Grow our own chairs for national tree week, I instructed ye all to go and create some art by growing a chair out of trees. (I have yet to hear from ye how that went). So this year, why not let the trees themselves make some art!

Picture from last years post 'Grow our own chairs for national tree week'

This is precisely what British artist Tim Knowles did back in 2005 when he started his series of art pieces, simply called ‘Tree Drawings’ Tim’s idea was to create a series of drawings produced using drawing implements attached to the tips of tree branches, the wind’s effects on the tree is then recorded on paper.  Like signatures, each drawing reveals the different qualities and characteristics of each tree.

All of his works rely on the logic of cause and effect, as a map of time and a record of actions governed entirely by chance.

 

Tree Drawing - Weeping Willow on circular panel [100 pen] 2005

Above, 100 pens attached to the branches of a Weeping Willow tree draw onto a circular disc 5.1 metres in diameter and made up of 10 segments.

Larch on Easel #1 2006

Scots Pine on Easel #1 2006

Similar projects by Knowles include his Vehicle Motion Drawings, where he constructed an apparatus to capture the motion of a car being driven, all the turns, stops, and starts of the vehicle move the pen over the paper. Another is  his postal projects, which capture the motion of packages sent through the postal system, using both drawings and photography.

Greek Pine on easel #1 2005

I think my favorite work of his is titled ‘Nightwalk - Valley of Rocks’.  

Nightwalks are a series of illuminated walks that Knowles created in the countryside during a new moon (to ensure complete darkness).

One of Tim Knowles contraptions

Over the period of an hour, the artist walked away from the camera while carrying three wide-beam torches fitted with diffusers. The lights are connected to a 12volt battery in a backpack to prolong their life. His path, along a precarious rocky ridge in the darkness, was illuminated and captured using a long-exposure, large-format photograph. The direction in many of his walks are also dictated by the wind by using various contraptions that plot the direction of the wind.

Nightwalk - Valley of Rocks 2008

Photos and info from Tim Knowles website. Be sure to check it out to see more of his amazing work
http://www.timknowles.co.uk

So it's still National Tree Week for a few days and there are still a number of events on this weekend right around the country. To find out what in happening in your area, follow the tree council of Ireland link http://treecouncil.ie/

2011 also happens to be the International Year Of The Forest. You can find out more about this here http://www.un.org/en/events/iyof2011/

Artist Liu Bolin's disappearance into the landscape.

Hiding in the City No. 94- In the Woods, 2010

Came across this amazing guy the other day.

37-year-old artist Liu Bolin, from Shandong, China camouflages himself into the environment.

Hiding in the City No. 14- Er Guo White Wine Factory, 2006

Hiding in the City No. 91- Great Wall, 2010

The talented Liu Bolin says his art is a protest against the actions of the Government, who shut down his art studio in 2005 and persecutes artists. It’s about not fitting into modern society. The government had stipulated that it didn't want artists gathering and working together. Despite these problems with the authorities, Liu’s works are appreciated internationally.

Liu said he wanted to show how city surroundings affected people living in them.

He added that the inspiration behind his work was a sense of not fitting in to modern society and was a silent protest against the persecution of artists.

Hiding in the City No. 71- Bulldozer, 2008

Hiding in the City - Dragon Series, No. 4 of 10 panels, 2010

Hiding in the City No. 31- Holding Democratic Elections By Law, 2006

In an interview with the Daily Mail he said: 'Some people call me the invisible man, but for me it's what is not seen in a picture which is really what tells the story.

'After graduating from school I couldn't find suitable work and I felt there was no place for me in society.

'I experienced the dark side of society, without social relations, and had a feeling that no one cared about me, I felt myself unnecessary in this world.

'From that time, my attitude turned from dependence into revolting against the system.' 

Liu said he was further pushed on with his work when the Chinese authorities shut down his art studio in Beijing in 2005.

He said: 'At that time, contemporary art was in quick development in Beijing, but the government decided it did not want artists like us to gather and live together.

'Also many exhibitions were forced to close.

'The situation for artists in China is very difficult and the forced removal of the artist's studio is in fact my direct inspiration of this series of photographs, Hiding In The City.'  

Hiding in the City No. 16 & 17 People's Policeman, 2006

Teatro alla Scala, 2010

Hiding in the City No. 93- Supermarket No. 2, 2010

Liu begins by choosing the background location. Then he stands in position as the blank canvas for up to 10 hours as his helpers, armed with paintbrushes make him disappear into the surrounding landscape.

'There are many people who like my work I think because my work has a quiet strength, in the photographs.
'I am standing, but there is a silent protest, the protest against the environment for the survival, the protest against the state.
'I wanted to photograph the reality of scenes of China's development today.
'My work is a kind of reminder, to remind people what the community we live in really looks like, and what kind of problems exist.'

Hiding in the City No. 85, 2009

Liu Bolin has a huge portfolio of amazing work, in fact I had difficulty in limiting the amount of photos in this post to ten. If you would like to see the full portfolio of his work, you can find it here. www.elikleinfineart.com

Check out the video to see how the photo above was created.

Scorces

http://www.arttherapyblog.com/artwork/top-12-liu-bolin-invisible-man-artist-paintings/
http://www.elikleinfineart.com/html/artistresults.asp?artist=82&artistname=Liu Bolin
http://www.dailymail.co.uk/news/worldnews/article-1201398/Liu-Bolin-The-Chinese-artist-turns-Invisible-Man.html#ixzz1CWbWkRuS 

Stone Woman, Thea Alvin

Stone Artisan Thea Alvin

A while back while visiting Jan Johnsen landscape gardening blog 'Serenity In The Garden' (a blog I highly recommend checking out if you don't know it already) I saw this photo (derectally above ↑) and at first glance, thought it was a piece by Andy Goldsworthy. I quickly discovered that this fabulous piece of stone art was not the work of Goldsworthy but of Vermont Stonemason/ Artist Thea Alvin.

Thea has been a professional stone mason for 25 years, and uses the dry stone stacking techniques learned from master masons around the world to create sculptures and natural landscape installations. She admits to always being a bit of a 'tomboy', apparently (in her own words) "When other little girls were playing with dolls... I was eating my 15 pounds of dirt." 

Thea wants to travel the world, leaving works of stone art behind her, and to date, she is doing a pretty good job of that. Besides creating works of art all over North America, she as also created works in England, France, Italy, Canada and while cycling around China she managed to find the time to build ten arches from bricks, tiles, slate and marble.

 

I believe that my hands are smarter than I am, and that they operate on their own, and bring me along for the adventure, and to take notes about what we did together while we were there.

Besides creating works of stone art, Thea is also an instructor at the Yestermorrow Design/Build School in Warren, Vermont, where she is running courses in 'The Art of Stone' and 'Masonry Restoration'. She is also in the process of writing a book.
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In my last post I talked about 'Stone Balancing' above is Thea's take on the art of stone balancing.

  

 

Thea Alvin has a huge and impressive portfolio of work, check out the rest of her work on her website www.myearthwork.com.

All photos in this post are from Thea's website, A big thanks to her for her kind permission to use them for this post.

The art of Stone Balancing

Real or Photoshopped?

Photo and Sculpture by Bill Dan©

The first time I saw this photo I really didn't know. I came across this photo a while back, it was posted on the web somewhere by someone, and a lot of the comments underneath it branded it a fake and put it down to photoshop trickery, as surely balancing stones like this is impossible? 

Well I wanted to believe it was real, but also needed some convincing. It was only after finding the creator of the photo Bill Dan and saw one of his You tube videos of him at work that it all became clear.

Photo and Sculpture by Bill Dan©

Bill Dan spends much of his time on the waterfront shoreline of San Francisco Bay, which offers ample opportunities for rock balancing. Large quantities of erosion control material called "stone riprap" have been placed to prevent storm and tidal damage. The perfect place for Bill to practice and demonstrate the amazing possibilities in the interactions between rock and gravity.
It is here that Bill developed, practiced, and continues to share the delightful, astonishing, and even inspirational sculptures he constructs with the varied forms and shapes available to him at the water's edge.

Bill Dan at work

Photo and Sculpture by Bill Dan©

Photo and Sculpture by Bill Dan©

Check out this video of Bill at work to see it for yourself

A little closer to home, artist Adrian Gray practices the art of stone balancing along one of the most famous and beautiful coastlines in the UK, the Jurasssic Coastline of Dorset.
Adrian also combines the art of stone balancing with the art of photography, creating enchanting photo prints for people to purchase from his website.
 

Photo by Adrian Gray © (prints available from his website)

As if the stone sculptures were not amazing enough, Adrian also brings various moods in his prints, by incorporating things like movement and lighting.

Photo by Adrian Gray © (prints available from his website) 

All the stones in these pictures are balanced, strictly without the aid of adhesive, pins or computer manipulation. They remain in place through the natural force of gravity and friction. ‘Nature’s glue’ sustains them in these seemingly impossible positions and it is the capricious natural forces of wind or waves that returns them to obscurity amongst their fellow boulders.

Adrian Gray

Photo by Adrian Gray © (prints available from his website)

Photo by Adrian Gray © (prints available from his website)

Photo by Adrian Gray © (prints available from his website)

Photo by Adrian Gray © (prints available from his website)

Check out the video below to see Adrian talk about his work

 Thanks to both Bill Dan and Adrian Gray for their kind permission to use their photos and videos for this post.