Once upon a fairytale garden

So it is a new year, and for many people 2012 is looking pretty bleak indeed. That is why I am re-posting this old post I did last year. This story can help remind us that even from the ashes of devastation and despair, life and prosperity will once again flourish.

Wishing everyone a very happy new year, and I hope 2012 brings you all good health, wealth, and happiness.  

Once upon a time in the hills of the great dividing range of Victoria on the edge of a town called Marysville there was a magical garden. In this magical garden mermaids rested on the sun baked rocks on the edge of cool stream’s while fairy’s and pixies danced in-between the trees as wise old men sat at the base of wise old trees.

Unfortunately for Bruno Torfs and the rest of us this is where the fairy tail ended as on the 7th of February 2009 a bushfire raged through the township, decimating everything in its path without mercy and sadly claimed the lives of many people. Bruno was extremely lucky to survive and the rest of the family are safe and well.

Bruno's home and art gallery were unfortunately completely destroyed in the blaze. The main attraction, the sculpture garden, was also damaged, but around sixty percent of the sculptures have survived.

The pictures of the aftermath show a very eerie looking place. The ghostly looking remains of sculptures look almost shell-shocked and traumatised, as from a seen from a town devastated by war.

Bruno has chosen to stay in Marysville to rebuild his home and restore the gardens. His passion to share his love of art and the story of life with the world has not been damaged by the fires, in fact you would almost say it has been forged anew by the flames that nearly took it all away.

But as with all good fairytales, this story two has a happy ending.
Bruno has been working tirelessly to restore the sculptures and the gardens to their former glory and after months of hard work he declared the gardens reopen on the 29th of November 2009.

Bruno's words: "The bushfires deeply touched us all in many ways. It allowed me to see that people had a heart for each other, that when things really got dark, the best in us comes out. We have lost a lot, but life also provides us opportunities to gain a new vision, lots of new friends and a blank canvas to play. In the meantime, nature is already regenerating itself. The green is slowly returning and the rivers are flowing, finding new ways".

All photos are from Bruno Torfs website

The amazing flowing stonework of Michael Eckerman

Safebreak Wave Wall, Santa Cruz Mountains

It’s not very difficult to see why Michael Eckerman and his stonework is loved by the surfing community, building stone features for many of the great surfers, and even getting featured in The Surfer's Journal back in 2007.

Bored with traditional stonework, Micheal’s creative nature has led him away from traditional design. Attracted by the flowing aspects of tectonic upheavals of lava flows that he observed in his travels, he began forming his own signature style of stonework, a style heavily influenced by these lava flows, as well as the movement of wind and water. 

Safebreak Wave Wall, Santa Cruz Mountains

Hailing from Santa Cruz, California, Michael Eckerman has been forming his own signature style of stonework since the 1970’s.

Forty years of building with stone has allowed him to expand his imagination and develop the free flowing type of stonework that he is known for today.

Michael Eckerman

 Like many ‘stonies’ Michael isn’t quite sure how he got into stonemasonry. There was no apprenticeship as such, although he learned much about what makes stonework strong and the principles of structural integrity while collaborating with an influential  builder from the ’60s and ’70s, called Ken Kern. 

He also recalls one of his first building ventures being a cabin he built with a friend in Quebec back in 69.

Even from the magical entrance to Michael’s home (a fantastic combination of stone and driftwood that seems to flow so naturally and playfully), it is clear that this is a home that lives and breathes art. And not only by Michael’s hand, for here creativity is a family business. Micheal’s wife Karen is an arborist, while his younger son Wes explores his creativity through photography and his older son Ea Eckerman expresses his creativity through both graphic art as well as sculpture. 

Pine Arch with Drift Wood

 

In the article by The Surfer's Journal, Michael tells a bit about the creative process of his work.

M. Eckerman beside his piece ‘Ledbury Tree’

"Each project is different, but the forms come through with a similar telegraphing message: flowing harmony. The stone suggests its form, he says. There’s not a lot of planning in his projects, no detailed drawings, maybe some chalk lines sketched on a wall. A flagstone forms a bench in a barrel. A helix has two platforms on opposite sides of the spiral—one for you, another for your sweetie.

The rock calls for touch. Natural, somehow, that stone should represent water. There’s good workmanship in all of it too: steps built to code, walls built to stand for centuries, ascending fireplaces around which the houses rise. Michael works with materials from the region he’s building in, whether it’s granite in the Sierra or lava rock in Hawaii. “If you knock it around in the surf for a thousand years,” he says of lava rock, “it gets interesting—very smooth, blue in color.”" [From article 'Natural Fit' in The Surfers Journal 2007]

Lebury Arch

In addition to stone, Michael accents much of his work with other materials, like brick, tile, glass, ceramics and metal.

Ceramic & Stone arch wall

Those of you who read my blog regularly will know my passion for creating stone benches. Well, Michael too has built some stone benches, but probably not in the way to which you may be accustomed. Check out this art project he did for the city of Menlo Park, California. Titled ‘Convertibles’

Convertibles

Micheal is currently working on a series of stone dog sculptures. It is interesting to see him use these same flowing stonemasonry techniques in a new more miniature and intricate way.  

Valcor- stone dog w:stacked driftwood

Guard Dog

 Michael has a vast and fantastic portfolio of work, so I suggest you check out his website www.eckermanstudios.com/ if you would like to see more. I have not even mentioned his absolutely stunning fireplaces and chimney stacks, so impressive in fact that they justify a blog post of their very own, which I will post later on in the year.  

Safebreak Wave Wall, Santa Cruz Mountains

 A big thanks to Michael for taking the time to send me the photos and information for this post. If you are interested in seeing the the article 'Natural Fit' from The Surfers Journal, you can purchase a download-able copy of the article from their website here 

Sources 

2010 Artist Bio written by Michael's daughter Rosie.

http://www.eckermanstudios.com/

The Surfers Journal 2007 article 'Natural Fit'

Stone Woman, Thea Alvin

Stone Artisan Thea Alvin

A while back while visiting Jan Johnsen landscape gardening blog 'Serenity In The Garden' (a blog I highly recommend checking out if you don't know it already) I saw this photo (derectally above ↑) and at first glance, thought it was a piece by Andy Goldsworthy. I quickly discovered that this fabulous piece of stone art was not the work of Goldsworthy but of Vermont Stonemason/ Artist Thea Alvin.

Thea has been a professional stone mason for 25 years, and uses the dry stone stacking techniques learned from master masons around the world to create sculptures and natural landscape installations. She admits to always being a bit of a 'tomboy', apparently (in her own words) "When other little girls were playing with dolls... I was eating my 15 pounds of dirt." 

Thea wants to travel the world, leaving works of stone art behind her, and to date, she is doing a pretty good job of that. Besides creating works of art all over North America, she as also created works in England, France, Italy, Canada and while cycling around China she managed to find the time to build ten arches from bricks, tiles, slate and marble.

 

I believe that my hands are smarter than I am, and that they operate on their own, and bring me along for the adventure, and to take notes about what we did together while we were there.

Besides creating works of stone art, Thea is also an instructor at the Yestermorrow Design/Build School in Warren, Vermont, where she is running courses in 'The Art of Stone' and 'Masonry Restoration'. She is also in the process of writing a book.
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In my last post I talked about 'Stone Balancing' above is Thea's take on the art of stone balancing.

  

 

Thea Alvin has a huge and impressive portfolio of work, check out the rest of her work on her website www.myearthwork.com.

All photos in this post are from Thea's website, A big thanks to her for her kind permission to use them for this post.

The art of Stone Balancing

Real or Photoshopped?

Photo and Sculpture by Bill Dan©

The first time I saw this photo I really didn't know. I came across this photo a while back, it was posted on the web somewhere by someone, and a lot of the comments underneath it branded it a fake and put it down to photoshop trickery, as surely balancing stones like this is impossible? 

Well I wanted to believe it was real, but also needed some convincing. It was only after finding the creator of the photo Bill Dan and saw one of his You tube videos of him at work that it all became clear.

Photo and Sculpture by Bill Dan©

Bill Dan spends much of his time on the waterfront shoreline of San Francisco Bay, which offers ample opportunities for rock balancing. Large quantities of erosion control material called "stone riprap" have been placed to prevent storm and tidal damage. The perfect place for Bill to practice and demonstrate the amazing possibilities in the interactions between rock and gravity.
It is here that Bill developed, practiced, and continues to share the delightful, astonishing, and even inspirational sculptures he constructs with the varied forms and shapes available to him at the water's edge.

Bill Dan at work

Photo and Sculpture by Bill Dan©

Photo and Sculpture by Bill Dan©

Check out this video of Bill at work to see it for yourself

A little closer to home, artist Adrian Gray practices the art of stone balancing along one of the most famous and beautiful coastlines in the UK, the Jurasssic Coastline of Dorset.
Adrian also combines the art of stone balancing with the art of photography, creating enchanting photo prints for people to purchase from his website.
 

Photo by Adrian Gray © (prints available from his website)

As if the stone sculptures were not amazing enough, Adrian also brings various moods in his prints, by incorporating things like movement and lighting.

Photo by Adrian Gray © (prints available from his website) 

All the stones in these pictures are balanced, strictly without the aid of adhesive, pins or computer manipulation. They remain in place through the natural force of gravity and friction. ‘Nature’s glue’ sustains them in these seemingly impossible positions and it is the capricious natural forces of wind or waves that returns them to obscurity amongst their fellow boulders.

Adrian Gray

Photo by Adrian Gray © (prints available from his website)

Photo by Adrian Gray © (prints available from his website)

Photo by Adrian Gray © (prints available from his website)

Photo by Adrian Gray © (prints available from his website)

Check out the video below to see Adrian talk about his work

 Thanks to both Bill Dan and Adrian Gray for their kind permission to use their photos and videos for this post.